Thursday, October 27, 2005

Da Grassroots

"Keep The Art Divine"


Back in the days, this was one of my most wanted records...and thanks to the internet i was able to track down some copies after a few years. I'm talking about the first 12" by the canadian group Da Grassroots. Straight outta T-dot this was released in 1995 and blessed us with two huge tracks. On side one you'll find "Drama" and the track on the flip is called "Living Underwater". Both cuts have a mellow vibe and perfectly fit the daily morning bus/train/subway ride. My personal favorite is Drama...listening to it makes me feel as if i was living underwater...hmmm...


anyway, both Tracks are only available on this 12" on wax. There's an announcement on the label which says "
from the forthcoming Grass Roots EP"- but that never got released. The two joints also have been put on the full length CD ["Passage Through Time" / 1999 ] as bonus tracks. But not on the LP. I think the 12" even got booted in japan about 2 years ago, so watch out.

This record will always be in my mind and i'm always pleased when a copy turns up somewhere.




Wednesday, October 26, 2005

Officially Rare

Today we have an early Official Recordings twelve


"Official Recordings is owned and operated by Company Flow forever"


On the ny based Official Recordings label [founded by El-P & Big Juss in '94] i present you a record not everybody knows of. The group goes by the name of Dominant Species and only had this one release as far as i know...You'll find two tracks on this record. "Pain To The Brain" produced by B-Wiz and "Dammit" produced by El-P (co-produced by DJ Mr. Len). Looking at the rhyme style- both tracks are nothing too special in my opinion...i like the beats best to be honest.


You see, a record hasn't to be automaticly dope just because of its rareness. But still, it's an obscure piece of wax with qualities and for sure a 12" for collectors out there.


It was released in 1995 and comes with Sticker Cover



Sunday, October 23, 2005

I was just listening to...

Tragedy- The Judas Theory


A track with some background:

Theory #1: Tragedy released that record due to his beef with nore after the succesful cnn lp "the war report".

Theory #2: Tragedy was still cool with nore at that time...The Judas Theory was directed towards the man who snitched on capone (you can see his picture faded out with the words "traitor" on the war report inlay). [see 3rd picture]



Anyway, a dope track in my opinion..year must be around '97...no production credits..but at the end of the track Trag shouts: "...stretch armstrong...so put it on..."- i guess stretch could be the producer then.




"...fake thug like Sammy the Bull turned snitch..."

Friday, October 21, 2005

Coming Soon




ALKUTTRAZ - PHASE III

Finest selection of indies from around 94-99.

Wednesday, December 17, 2003

poison ladd slr / beats in general - still another 1-4-u-2-n-v reissue




Hello Crates of AG Members

The response for the collectors edition re-issue Still Another 1-4-U-2-N-V, has been great. we would like to thank all of those who have pre ordered the release there is a limited pressing of 100 copies whereas the first 30 copies will be autographed by Poison Ladd SLR and Beats In General!


If you would like to place a pre order you can do so via our network at Another14U2NV.ning.com, if you don't have the funds to place a pre order, and you are still interested in reserving a copy, you can facilitate this process via email at Another14U2NV@Gmail.com, please note that your copy can only be held in reserve until the release date, which is Jan 2, 2010

Thank you for your professional consideration we appreciate all the love we get from our fans and collectors alike, feel free to sign up for our network or to track any and all details, as it pertains to the re issue at www.Another14U2NV.ning.com.


Shipping Jan 2, 2010


Solid Ground Records is proud to announce our new limited edition collectors vinyl (1987) Rock the 808/ I Need Juanita, 12 inch (1991) Another 1-4-U-2-N-V, Ep (1985) Rockwell Live Freestyle, ft D.J. Speedy Jay (1993) I Put You To Rest 12 inch, Frank White/ Stand Up.


The recordings contained herein are considered ultra rare and are highly sought after by collectors and fans alike, Solid Ground Records has re mastered and compiled all of the above captioned recordings into one affordable collectors vinyl, the cover artwork is updated and features a new linear perspective interpretation of the original characters from the original Another 1-4-U-2-N-V cover.


SIDE A

1. Life Is Like A Nike Commercial (Just Do It)

2. You Got Damm Right

3. Cheeba Cheeba

4. Watermellon Man

5. I am Chakka

SIDE B

1. Juanita

2. Rock the 808

3. (1985) Rockwell Live ft. D.j. Speedy Jay

4. Frank White

5. Stand Up





This project features 100 limited pressings, with the first 30 copies autographed, by Poison Ladd SLR and Beats In General, the project will be sold in the U.S. the United Kingdom and Japan.

The cost for shipping will be $7 in the U.S. and $15 in the U.K. and Japan, all payments for the project will be processed via PayPal at www.Another14U2NV.ning.com or Another14U2NV@Gmail.com.

Extra special thanks to Ed Catto of Freestyle Records NYC.

Tuesday, December 16, 2003

100X LP, EP & Mix CD




Hey Everyone:

Freestyle Records, in association with 215 Archives, is pleased to announce its newest collector's only vinyl releases by Philly's own 100X posse.



The backbone of this new round of releases is the 100X - Whom Shall I Fear? 2xLP. 18 tracks of madness, all previously unreleased, recorded between 1993-1995. If you like the Beyond The Door and/or the Fast Loot Tactics 12"s, this will be mandatory. Almost everything here is better than anything you have heard before. The 2xLP comes in a picture sleeve and is limited to 300 hand-numbered copies.

Check the LP snippets here





Also, we are releasing the 100X - Early X EP featuring 6 tracks, all previously unreleased, recorded between 1988-1991 and featuring Poison Ladd S.L.R. (of Another 14U2NV and I Need Juanita) fame among others. This will shed some insight as to the roots of this massive crew and serve as an appetizer for things to come. The EP comes in a sticker sleeve and is limited to 300 copies.

Check the EP snippets here





Finally, we are also releasing a Mix CD by Philly's DJ Nickybutters which will include portions of 8 tracks from the 2xLP, plus MANY exclusive tracks. All tracks were recorded between 1992-1996. The CD is not limited.

For a very limited time only, supporters of Freestyle Records will have the opportunity to purchase one of each release for $100. That is one copy of the 2xLP, one copy of the EP and one CD for $100 plus shipping ($10 in the US and $20 overseas).

Afterwards, if any vinyls are leftover, these releases will be sold separately as follows:
Whom Shalll I Fear? 2xLP $100
Early X EP $75
Mix CD $15

If you want to take advantage of this special offer, I suggest pre-ordering ASAP. I expect that this project will be ready to ship at the end of June or early July, barring any delays.

Please make all paypal payments to: jenniferhandal at hotmail dot com

Peace,
Ed Catto

Monday, December 15, 2003

Showbiz & AG - Broken Chains 2xLP


Hey Everyone:

The response for this project has been phenomenal. Thank you to everyone who has pre-ordered it.

We have about 100 copies of 500 left. They are selling quickly.

If you want a copy or copies and you haven't pre-ordered or contacted me about holding a copy until you can pay, then I suggest you do so as I do not know how long they will last.

I am happy to work with people who need a bit of time to pay, so contact me at:

jenniferhandal at hotmail dot com

or purchase via Discogs




Here is the original email, in case you missed it:

Shipping January 2009

Freestyle Records is pleased to announce our new collector's only vinyl release:

Showbiz & A.G. – Broken Chains: Soul Clap & Runaway Slave Unreleased, 1990-1992

Previously thought lost forever, these masters recently resurfaced and have yielded a treasure trove of unreleased vocal and instrumental tracks from the incredibly fruitful recording sessions leading up to one of the most important Hip Hop albums of all time.

Included in this package are three previously unreleased original versions for songs produced by Showbiz that would eventually become Soul Clap EP and Runaway Slave LP classics but in different forms. Also included, from the same sessions, is a previously unreleased Diamond D production featuring A.G. Finally, rounding out the package, are 7 unreleased instrumental productions by Showbiz from the Runaway Slave sessions. As a special bonus, Freestyle Records has thrown in an untitled cut by D-Flow & Party Arty from 1995 produced by Showbiz.

Due to the importance of this project, Freestyle Records has chosen to release these 12 cuts on a double vinyl format with a picture cover as follows:

Showbiz & A.G. – Broken Chains: Soul Clap & Runaway Slave Unreleased, 1990-1992
All tracks produced by Showbiz unless otherwise noted

A-Side
1) Instrumental 1, 1991-1992

2) Diggin' In The Crates OG Version, 1990
(The second track ever recorded by Showbiz & A.G. [after Soul Clap]. Different verse from Showbiz, different track with extended piano sample. More energy than released version.)

3) Instrumental 2, 1991-1992


B-Side:
4) Instrumental 3, 1991-1992

5) To Each His Own (More Than One Way Out Of The Ghetto OG), 1991
(Similar lyrics, different track. More melodic, less dark than released version.)

6) Instrumental 4, 1991-1992
(sample later used by Show for You Want It, left unreleased off Goodfellas LP in 1995)


C-Side:
7) Instrumental 5, 1991-1992
(sample later used by The Beatminerz for Smif-N-Wessun’s Bucktown in 1994)

8 ) Hard To Kill OG Version, 1991
(Different beat [uses Taking of Pelham 1,2,3 beat {sampled from TV} from Malcolm X intro on released version], different track, no shouted chorus [instead uses scratched in vocal samples {all five from A.G. on It’s Up To You}], one new verse, [first verse of released version is second verse here on OG]. Harder than released version.)

9) Instrumental 6, 1991-1992


D-Side:
10) I'm Convinced, 1992 (Previously unreleased, produced by Diamond D)

11) Instrumental 7, 1991-1992

12) Untitled feat D. Flow & Party Arty, 1995 (Bonus Cut, previously unreleased)


check snippets HERE!


This project is a limited, one-time run of 500 copies pressed. Half of the copies (250) will be sold to Japan where nearly 200 are already spoken for. The remaining 250 will be sold in America and Europe. The cost for the 2xLP is $100 plus shipping. Shipping is $7 within the U.S. and $15 to all parts of Europe. You can direct all inquiries and make all Paypal payments to:

jenniferhandal at hotmail dot com

Peace,
Ed Catto
Freestyle Records
NYC, December 2008

Wednesday, February 06, 2002

the i-power story






I-Power is a hip hop crew from Westbury, New York. Crew members are P.S. a.k.a. Pure Sound a.k.a. Da Supervisor, Allceein a.k.a. All a.k.a. Solutions, and Melodious Fonk a.k.a. Mo'Funk aka Modini. We are friends who grew up on hip hop in the 80's. All of us used to break-dance and draw graffiti back then. Anyway, I guess our major influence was being in New York. New York City in the 80’s was crazy. Hip Hop was everywhere. We used to take the bus to Jamaica Avenue in Queens to buy records and sneakers etc. In Queens, we would see the latest gear and hear the latest songs. On weekends, we would go to the roller-skating rings to break-dance or we would just hang out and listen to the radio. We listened to show’s by Mr. Magic, Kool DJ Red Alert, Chuck Chill Out, Hank Love and DNA, The Awesome 2, P-Fine, and Dr. Dre’s Operating Room. I remember when All saw the movie Wild Style in 1982 and how it changed him. He has had his book out ever since and P.S. has been rhyming just as long if not longer.



I started djing in 1984. Back then, All and I were in a crew called A Force Beyond Control or F.B.C with our man Freddie D. We performed at local talent shows and radio stations like WBAU in Long Island. Guys like Flavor Flav and Jam Master Jay hosted our local talent shows so we got a first hand education in real Hip Hop from the start. Dr. Dre and his crew The Original Concept were from Westbury as well so we would see them at shows and they inspired us. They were on Def Jam and Red Alert and Marley Marl were playing their songs on the radio. Their DJ EZ G. Rockwell was the first DMC World Champion. Their bass player Mike eventually became our first manager after he heard our demo tape which we produced with a 4 track, a Casio SK-1, and Roland TR505 which was my first drum machine. He was the first person to bring us to a real recording studio. Everything was moving fine until our manager got Freddie D. a solo deal with Sleeping Bag Records. He jerked us because they felt it would be a better look to drop the black kids (think Beastie Boys) but that’s another story.

Anyway, P.S. was in another crew called Universal Sounds. I remember going to the studio with him when he recorded his early demos in 1988. He was even good back then. By 1989, we were all in college. PS and Allceein moved to Philadelphia and I went to Minnesota.

In summer of 1992, I came back to New York. I linked back up with P.S. At the time, I had a group in Minneapolis with my man Brother B. called Egghead and P.S. was working on his solo project under the name First Eye. Before this he was in a crew called Now & Laters with Sha Now The Remedy Man who later was in a group called Rumpletilskinz. Anyway, P.S. loved my Egghead demo and asked me to produce songs for his First Eye demo. So we went to the studio and started to work. At First, we were local recording at our man D’s studio and then we started to travel. We never had our own equipment back then but D showed me how to use the MPC 60II.

P.S. and I officially started recording songs as I-Power in fall 1993 after my man Brother B. from Egghead got shot. We got the name from our favorite restaurant in Brooklyn which closed down. It was a Rasta ital spot. We figured First Eye and I-Power meant the same thing. So I-Power we became. At the time, Allceein was still in school. He joined the crew a year later. I remember opening up for Leaders of the New School and H2O at Crystal’s in Queens and Redman, The Beatnuts, and Common at Nassau Community College. We also did shows like Cream which was a spin off of the Lyricist Lounge and shared the stage with artist like Talib Kweli, Half-A-Mil, Da Ranjahz, The Jigmasters, A.L. Skills etc. We continued making songs at D’s.

By 1996, we were doing paid college shows. We still didn’t have our own studio yet but the money from the shows we used to pay for our studio expenses. This is the pre MPC 2000 era and MPC' 3000’s were like $3500 back then so we would go to the studio and make the beats live. Then our friend Greg bought an MPC 3000 so we would visit him in Philly. It worked because we would travel down to Philly to make beats and those same beats we made songs out of later. We decided to make a 12” next.

We released our independent 12" titled “I-POWER” in spring of 1997. It featured 3 songs; Under Da Sun, Da Breakthrough, and Da Madness. We recorded the songs at Sample Kings Studio's in summer of 1996. The mix engineers were Doc and PM. We also recorded other songs in this period including Seen a Vision remix, and 1 Life 2 Live. To tell you the truth a lot of money went into recording Under Da Sun. We mixed it several times and even did a mix at Quad Studios but we didn't like it so we went back to Sample Kings for the final mix.

Under Da Sun was given to DJ's like Marley Marl, Pete Rock, DJ Premier, Da Beat Junkies, DJ Etch a Sketch, etc. P.S. flew out to Los Angeles and put it in Fat Beats and got it on the radio etc. The NYC Fat Beats fronted on it. Back in summer of 1997 this 12" got a lot of plays on hip hop radio shows on the east and west coasts. I got a tape of one of those shows somewhere. DJ Premier played it on NYC's Hot 97 when he did a guest spot on Stretch and Bobbito's show. I will always love Premier for that endorsement. To me that is still my ultimate hip hop experience.

In spring 1997, a dub of our song Systematic was given to Black Sean a friend from around the way. Black worked at a new label called Rawkus records and gave the song to his boss to listen to. The heads at Rawkus loved Systematic and they wanted us to do a 12" deal. We were with it but they didn't like our B-side Free Da Dome. So we decided to do a bunch of songs so they would have a lot to pick from. We went back to Sample Kings and recorded 6 more songs. These songs were crack.

When we finished recording our last song called True we went out to party. I remember going to the Palladium in NYC. We stayed there for like 30 minutes. When we got back to my car someone had broken into it and stole our bags. In my bag, I had all our DAT tapes and like 300 MPC disk and 20 rare records. The DAT tapes were our masters and they contained all our material from 1995 through 1997. We took a major hit. One that I still can't comprehend. I have no idea who stole our stuff but it really set us back. I mean to us that bag was priceless. Years worth of music were in that bag. Some fool probably stole it looking for money or something. They probably threw it away. I searched all the streets of the lower east side that morning. I didn't even go home that day. I remember going to flea markets in the city looking for those master DATs or MPC Disk. However, no luck.

Consequently, we had no material to hand into Rawkus. All that was left were our cassette tape copies and demos. We had to start all over again.



Afterwards, we decided to buy equipment. Since we had jobs, we saved our money and set up a studio in my basement. We got back to work. Around this time, we added our friends to the mix and I-Power became L.I.F.E.Force (an acronym for Long Island's Finest Emcee's). L.I.F.E.Force members were Pure, Allceein, MoDini, Murdoch Elohiem, P.M., Kwam Cabral, Utasi, Jaywalk, Rick DeVille and Israel Joseph I. We recorded hundreds of songs in the basement from 1998 through 2004 but never released another 12". We tried but never we’re able to save enough money to get it pressed. We recorded 2 more I-Power songs at Sample Kings in December of 1999 but we never released them. I got the songs on a DVD ram disc which is a format that no one uses anymore. But I’m still looking to bring them back. However, L.I.F.E.Force songs were recorded on tape only. I wish they were on CD but we didn't have a burner back in 1998. Remember, this was still the analog age. However, from 2001 on our material made it to CD. Not quite as polished as the I-Power studio recordings but hip hop nonetheless. We came from the boom box tape era so to us it didn’t matter. We just wanted to record and express ourselves. To us it’s always been for the love and passion. One thing about I-Power/L.I.F.E.Force is that you get the truth. Universal rhymes with a positive message.

One day I was cleaning up and I find a DAT tape which says "Systematic" on it. I couldn't believe it. A missing dub. However, I recently had the tape transferred and it’s a studio out-take mix of the song. The wrong version with mixing mistakes etc. That sucks!!! However, this led me to search for other DAT tapes and I was able to find more. The master to Under Da Sun was one of them as well as an I-Power demo DAT from 1994, our show DAT from 1996, as well as a DAT from my Minnesota group from 1992 called EGGHEAD. Were still missing 4 other DATs with our 1994, 1995 and 1997 material but I’m grateful for finding something. I really thought all was lost. GOD is good.

12 years later Under Da Sun has been rediscovered by a new generation and thus I-Power has been resurrected. We are so grateful. We thank everyone out there who has supported or has an interest in this record and I-Power. We really appreciate the love. It’s a testament to the fact that the truth must come to light. Real Hip hop is timeless. Infinite. We are planning a re-release of Under Da Sun in the near future. Get at me for more info.

As usual, I’m still in the basement making beats. The only things that have changed are the walls and my equipment. My MPC tanked in early 07 so I switched over to Ableton Live in search of inspiration. It worked!!! Currently, I’m mixing my debut album Pyromaniac which will be available on iTunes and CD in March. It’s been years but I’m rhyming again. I got 2 bangers with Allceein already. I just gave P.S. some beats. He’s writing to them. These days he's hard to catch up with. To pay the bills he works as a professional drummer/procussionist. He is usually on tour with his band The Pimps of Joytime. Yes, my man is multitalented!! Check them out if you get a chance at a venue near you. They rock!! www.myspace.com/pimpsofjoytime.


We are working on a new I-Power album for summer 09 called Build & Destroy. Allceein is working on his new album The Art of Raw. His last album Music and Da Madness was produced by me and Prev Maes in 2006. It features L.I.F.E.Force and is available at www.cdbaby.com/allceein or www.myspace/allceein.

Look out for classic unreleased I-Power material this year as well. Also, we are now selling I-Power branded T-shirts, hooded sweatshirts, fitted caps, and slipmats. . They have our logo on them. Some shirts have classic I-Power lyrics on them as well. Get at me for more info or for CDs and vinyl 12”s at:

djmofunk@hotmail.com

www.myspace.com/djmofunk



1ne

djmofunk